Textura on Evon: “suggestive of moody goth-rock”

In issue #73, Textura reviews Agnes Szelag’s new project “Evon: The Bees Are Coming.” Describing Szelag’s work as a “one-person, mini-orchestra” is not an understatement.

If you haven’t heard the new album we welcome you to have a listen over here. Indeed, as the review points out, it is perhaps important that Szelag chose a different moniker other than her birth name, as there are lot of contributions by other artists on the record.

The Norman Conquest provided recording help as well as voice, guitar and percussion. Fellow Aphonia artist Marielle Jakobsons, who also works with Szelag in their duo Myrmyr, provides vocals as well.

Although this is clearly Szelag’s vision, the wide array and cast of characters makes it an ensemble piece, larger than life, not a hobbyist or stripped down side project that merely spotlights the ego of it’s principle creator. No, Evon’s “The Bees Are Coming” is an immense work, encompassing many sonic backcountries and thoroughfares alike and again revealing another layer to the near geologic depth that Szelag’s work encompasses. Enjoy!.

Click to listen!