The Precambrian Archive

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APHONIA FEST 2009 – JUNE 4, 5, 6 (( THURS // FRI // SAT ))

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Hello Everyone,

I wanted to let you know about a festival that we (Aphonia Recordings) will be hosting during the first week of June. As a celebration of 2+ years in business, we have organized this three day festival featuring friends & artists across the region & the country. In classic Aphonia-fashion, the festival will showcase a synthesis of Electroacoustic, Microtonal, Performance Art, Avant-Pop, & New music. As always, we hope to see you there….

-Ben Robertson

DESOLATION WILDERNESS
Desolation Wilderness is a West Coast band. They left the parking lots and the malls, the high schools and the valleys, and found their home at the summer night overlook. Taking the sounds of the cities below & amplifying them into a pitched resonance, they write slow burners & warped guitar/synthesizer/vibraphone ballads influenced by drone music, the photorealistic art of Robert Bechtle, & musique concrete (with pulse included). Desolation Wilderness has released music with a variety of labels, including Aphonia Recordings (In Love With Anything 2007). They hit the studio again & recorded New Universe for release on K Records in August 2009. Itching to leave the studio again, Desolation Wilderness will be touring extensively in support of New Universe.

BILL HORIST
(b. 1971, Washington DC , US )
Since arriving in Seattle in the mid-nineties, Bill has established himself as a highly regarded performer, composer and improviser. He has appeared on over 50 releases and has performed hundreds of concert around the world. In addition to his solo endeavors and work with bands Master Musicians of Bukkake, the Paul Rucker Ensemble and Ghidra to name a few, he has collaborated with a wide range of artists including John Zorn, Secret Chiefs 3, Ruins, Bill Frisell, KK Null, Vidushi Sumitra Guha, Kinski, & Aiko Shimada among many others. In practice, Bill’s prepared-guitar tactics will stun.

MOOD ORGAN:
Mood Organ is the solo project of Seattle-based musician Timm Mason. Timm is best known as the bass player for diverse acts including funk juggernaut Eldridge Gravy & the Court Supreme, psych-rock supergroup Midday Veil, and instrumental hip-hop cover band Hamburger Pimp. Mood Organ is a platform for exploring different modes of listening and intersections between musical (& non-musical) genres. Each Mood Organ performance is unique; recent performances have included a solo performance on electric bass, a duet between saxophone and amplified objects, and a solo composition for harmonium and prepared piano. Work is nearly complete on the first full-length album “Visiting a Burning Museum “. Also in progress is a series of solo performances inspired by the classical elements and their associated platonic solids. For the Thursday show, Mood Organ will be presenting Quietus 3. Quietus is an improvised drone ensemble with fluid membership. I’m nailing down the complete lineup but it will at least include Skip Milford (electric fiddle), Emily Pothast (vox), David Golightly (analog synth), and myself on bass.

GABRIEL WILL + IAN ACKERMAN
Gabriel Tuzzolino Will and Ian Thomas Ackerman are two members of a loose collective of musicians also including Warren Lee and Danny Sasaki. They are bent on exploring the outer limits of tonality as it exists within nature eschewing the harmonic imprecision of equal temperament. Harsh dissonances are revealed as delicate sonorities by the temporal stretch of the music.

LA LUNGS
L.A. Lungs was formed in the summer on 2005 in a Tacoma studio apartment by Afterthought Lung (nee Nathan Markiewicz) and Leeward Lung (nee Lori Peterson). What began as a “studio” project became a “functioning” live act by the summer of 2006, with L.A. Lungs making their live debut at the, now defunct, No Tomorrow concert series in Seattle . L.A. Lungs continue to perform around the Pacific Northwest and have been fortunate enough to share bills with artists such as Acre , Wesley Borden, Cabinet of Natural Curiosities, Crank Sturgeon, The Dead Air Fresheners, Steve Fisk, Forest Friends, Gowns, Bill Horist, Derek Johnson, Mattress, Myrmyr, POWRFL POWER, Shearing Pinx, Talbot Tagora, Your Drugs My Money, and many others. In their loose arrangements L.A. Lungs use variances in phrasing, the inconsistencies of live electronic sound manipulation, and acoustic/amplification variables to create semi-improvised compositions that can vary drastically in tone, rhythm, and emotive qualities from one performance to the next. Visitors to the Aphonia Fest can look forward to the possibility of hearing work from LA Lungs recent Aphonia Recordings release, Most of the Time We Do Not Realize We are Shedding Our Skins 2008, as well as newer material.

KRGA
Kristian Garrard’s project, KRGA, aims to combine the sounds of any and all instruments around into thick, swarming clouds of tones using self-built sampling software. He uses emphasis on drones and moving textures to create warm and dense atmospheres. Most pieces are created using only one or two instruments as source material to be processed & resampled in the software environment, Max/MSP. Past works have used utilized the ubiquitous 60 hz ground-hum, a “personal massager”, as well as more traditional instrumentation. In performance, deconstructed sounds swirl around the room, as patiently created beds of tones build into a complex organic storm.

UNICORNS IN THE SNOW
Unicorns in the Snow is the one-woman project of Kansas City-based composer, performance artist, & social worker, Julia Vering. The project’s roots are grounded in earlier attempts to explore empathy in a visual context. Her most recent work, “The Aviator”, is a miniature opera inspired by the narrative of an aging, anti-social pilot, obsessed by the inimitable power of flying planes. In the final act, recorded the day after the aviator’s death, reveals the primal collaboration of the artist and her elderly muse, commencing in a primal scream accompanied by violent arthritic movements of the performers’ neck and hands.

MANGLED BOHEMIANS
Mangled Bohemians (PDX) are an intensely atmospheric two-piece band featuring massively effected guitar and electronics. Mining heavily from the post-punk tradition of the likes of Glenn Branca, Savage Republic , Heathen Earth era Throbbing Gristle, and Sonic Youth’s SYR releases, Mangled Bohemians create long spacey drones that melt into beautiful washes & pseudo-melodies.

PAINTINGS FOR ANIMALS
Heavy drones, overtone melodies & the sound of the land – Paintings for Animals is the vocal electro-acoustic music of Pearson Wallace-Hoyt. The sound possesses an archaic resonance connecting the human voice with an Earthen narrative of the landscape, flora, fauna & human ritual of both pre & post-history. Started in 2001 & transformed for live presentation in 2007, performances have taken place at art, dance & music galleries, warehouses, bars, cafés, DIY venues & live radio. Paintings music has been used in film, for video, installation & with dance.

DEREK M. JOHNSON
Derek is an Olympia native and can’t seem to ever get away. He frequently performs solo acoustic/electric cello throughout the Northwest with an ever changing, direct animation slide show. He’s been a member of Bloodclot, Dead Air Fresheners, Le Ton Mite, Frequency dB, and the unfortunately named Superfly 2000. Collaborations include: Unwound, Thollem McDonnas, Jeremy Jay, Ben L Robertson, Arrington de Dionyso, Bob Marsh, among others.

DAEDELUM
The magnetic vortex that is eastern Washington is perhaps best reflected by the banshee like howls and tortured vocal treatments that hover over the fractured rhythms and found-sounds of Ryan Leeds’ project, Daedelum. Leeds is interested in exploring the boundaries of traditional instrumentation & dissecting, reassembling, & colliding the parts with electronic gestures and commentaries. The music is aurally diverse and intentionally oblique. The compositions are informed as much by Leeds ‘ upbringing and education as by his various employment stints, including work as a recording engineer for a books-on-tape factory, a camera operator for a local news affiliate, a graphic designer, and currently as a CAD technician.

THE PRECAMBRIAN
Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The Precambrian. In concept, The Precambrian is a constantly evolving interactive synthesis environment/instrument, engineered by Robertson using the graphical programming language, Max/MSP. In its current incarnation, The Precambrian utilizes a slide zither & various pitch recognition algorithms to coax out microtonal intervals derived from a graphical system of 11-limit, just intonation matrices & traditional Arabic Maqams. Additionally, Senna (armed with a handful of piezoelectric transducers, microphones, field recordings) executes a series of absurd narratives & synthetic onomatopoeia, indicative of both his sound design work for film & theater.

www.aphoniarecordings.com

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Premier of Aphonia Recordings Voice/Strings Ensemble: Fri, May 1st @ Gallery 1412

Hello Everyone!
I am super pleased to announce that I will be premiering a brand new piece (Thamnophis sirtals: 2.25 Incantations & Spectral Taxonomy) at the upcoming Aphonia Recordings showcase on Friday, May 1st. Thamnophis sirtalis.

It is a taxonomically-themed, microtonal composition written for a voice & strings ensemble consisting of a number of active NW performers & Aphonia artists (ie. Amy Denio, Derek M. Johnson, Emily Pothast, members of Problems, Mood Organ, Midday Veil, etc..) I’m pretty excited to get all of these folks under one roof & feel extremely honored to have them performing my piece.

be there or be square-rooted!
-Ben Robertson (Aphonia Recordings Co-Founder)
Friday, May 1st @ Gallery 1412
1412 18th ave – Seattle
8:00 PM sharp!
Thamnophis sirtalis: 2.25 Incantations & Spectral Taxonomy for voices, electric bass guitar, cello, amplified viola, & amplified violin

Composed & Produced by:
Ben L. Robertson Aphonia Recordings co-founder, The Precambrian

Performed by:<
Emily Pothast (Mezzo-Soprano; Midday Veil)
Amy Denio (Alto; The Tiptons, Kultur Shock, etc..)
Jackie Ahn (Violin)
Ian Ackerman (Violin; Problems, Romanteek, The Strangers)
Gabriel Will (Viola; Problems)
Derek M. Johnson (Cello, Bloodclot, The Dead Air Fresheners, etc..)
Timm Mason (Fretless Bass; Mood Organ, Midday Veil, Eldridge Gravy, etc.)

Description:
Traditionally, biological disciplines, such as Taxonomy, & the arts have been viewed as, more-or-less, distinct from one another. Intersections between these two seemingly disparate practices are often more figurative than structural. Perhaps the clinically macabre imagery particularly associated with taxonomy, complete with shelves full of dead plants & animals preserved in bottles of formaldehyde, has done little to marry biological sciences to the expressive arts. However, the parallels in methodology that unite these two disciplines offer great potential.

By definition, a taxonomist gathers empirical observations regarding the physiology & behavior of organisms (both living and deceased) to craft an explicit vernacular that definitively describes his or her biological subjects. Through a similar methodology, the spectral composer may gather relevant acoustic data, classify this data in the form of a literal or symbolic language, & establish a protocol of musical conditions that reflect the nature of data collected. Within the piece, this process entails the development of a proprietary vocabulary, or spectral taxonomy, to describe & classify the individual harmonic phenomenon and spectral behaviors exhibited in the context of Frequency Modulation (FM) synthesis. The resultant spectral taxonomy is the maturation of a system of microtonal tuning & counterpoint that effectively exploits the unique timbres produced by specific FM algorithms.

Phonetically, the piece adopts the aesthetic of an Audubon field guide, as each vocalist recites a series of incantations documenting the Latin names of various North American subspecies of the ubiquitous Common Garter Snake, Thamnophis sirtalis.

aphoniarecordings.com

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Aphonia Recordings welcomes: ACRE (Thurs, Feb 19 @ Gallery 1412)

We’re super excited to be hosting & performing with one of our old Olympia friends, Acre. If you are anywhere within a 500 mile radius, you need to go to this show.

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Aphonia Recordings Showcase 09-#2 (Fri, Feb 6)

Aphonia Recordings showcase: 09-#2 @ Gallery 1412
Friday, February 6th
1412 18th ave – Seattle, WA
8:00 PM

- Darwinsbitch (Oakland)
- LA Lungs (Tacoma)
- Derek M. Johnson (Olympia)
- The Precambrian

DARWINSBITCH
Fluid forms of drones, doomy laments, and folk melodies fleshed out from a backbone of sine oscillators and violin. Sound sources from the environment blend with instruments such as piano, ocean-harp, guitar, bass, and specially designed computer programs to create a unique sonic hybrid between the acoustic and the digital. Darwinsbitch is the solo project of Marielle Jakobsons, sound artist and violinist from Oakland, California. Her work stems from a fascination between human experiences which are at once “natural” and technologically-altered. Other projects include: myrmyr (electroacoustic duo with Agnes Szelag), triometrik (interactive multimedia ensemble), Date Palms, as well as many other violin/improv performances.

DEREK M. JOHNSON
Derek is an Olympia native and can’t seem to ever get away. He frequently performs solo acoustic/electric cello throughout the Northwest with an ever changing, direct animation slide show. He’s been a member of Bloodclot, Dead Air Fresheners, Le Ton Mite, Frequency dB, and the unfortunately named Superfly 2000. Collaborations include: Unwound, Thollem McDonnas, Jeremy Jay, Ben L Robertson, Arrington de Dionyso, Bob Marsh, among others.

LA LUNGS

L.A. Lungs was formed in the summer on 2005 in a Tacoma studio apartment by Afterthought Lung (nee Nathan Markiewicz) and Leeward Lungs (nee Lori Peterson). L.A. Lungs continue to perform around the Pacific Northwest and have been fortunate enough to share bills with artists such as Acre, Bird Costumes, Wesley Borden, Cabinet of Natural Curiosities, Crank Sturgeon, The Dead Air Fresheners, Steve Fisk, Forest Friends, Gowns, Bill Horist, Josh Hydeman, Derek Johnson, Mattress, Myr Myr, POWRFL POWER, Racooo-oo-oon, Scard, Shearing Pinx, Talbot Tagora, Your Drugs My Money, and many more. We can look forward to hearing work from LA Lungs recent Aphonia Rec. (“Most of the Time We Do Not Realize We are Shedding Our Skins”) & Debacle releases at this month’s showcase.

THE PRECAMBRIAN
Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The Precambrian. In concept, The Precambrian is a constantly evolving interactive synthesis environment/instrument, engineered by Robertson using the graphical programming language, Max/MSP.

In its current incarnation, The Precambrian utilizes a “slide zither”, voice, & various pitch recognition algorithms to coax out microtonal intervals derived from a graphical system of 11-limit, just intonation matrices. In performance, Senna (armed with a handful of homemade piezoelectric transducers, microphones, & field recordings) executes a series of absurd one-act narratives & vocal onomatopoeia, indicative of both his sound design work for film & theater.

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Aphonia Showcase Coming Up Fri. Feb. 6

Hello everyone! Look I know it’s two weeks away but you know, it is probably a good idea to let everyone know about our next show – which we are sure to have a blast at – we hope you will join us! It is also nice as it will be the first time Ben and I will be performing as The Precambrian in a few months. So here is the press release type deal for your information:

Aphonia Recordings showcase: 09-#2 @ Gallery 1412
Friday, February 6th
1412 18th ave – Seattle, WA
8:00 PM

- Darwinsbitch (Oakland)
- LA Lungs (Tacoma)
- Derek M. Johnson (Olympia)
- The Precambrian

DARWINSBITCH

Fluid forms of drones, doomy laments, and folk melodies fleshed out from a
backbone of sine oscillators and violin. Sound sources from the
environment blend with instruments such as piano, ocean-harp, guitar,
bass, and specially designed computer programs to create a unique sonic
hybrid between the acoustic and the digital. Darwinsbitch is the solo
project of Marielle Jakobsons, sound artist and violinist from Oakland,
California. Her work stems from a fascination between human experiences
which are at once “natural” and technologically-altered. Other projects
include: myrmyr (electroacoustic duo with Agnes Szelag), triometrik
(interactive multimedia ensemble), Date Palms, as well as many other
violin/improv performances.

DEREK M. JOHNSON

Derek is an Olympia native and can’t seem to ever get away. He
frequently performs solo acoustic/electric cello throughout the
Northwest with an ever changing, direct animation slide show. He’s
been a member of Bloodclot, Dead Air Fresheners,
Le Ton Mite, Frequency dB, and the unfortunately named Superfly 2000.
Collaborations include: Unwound, Thollem McDonnas, Jeremy Jay, Ben L
Robertson, Arrington de Dionyso, Bob Marsh, among others.

LA LUNGS

L.A. Lungs was formed in the summer on 2005 in a Tacoma studio apartment by
Afterthought Lung (nee Nathan Markiewicz) and Leeward Lungs (nee Lori
Peterson). L.A. Lungs continue to perform around the Pacific Northwest
and have been fortunate enough to share bills with artists such as
Acre, Bird Costumes, Wesley Borden, Cabinet of Natural Curiosities,
Crank Sturgeon, The Dead Air Fresheners, Steve Fisk, Forest Friends,
Gowns, Bill Horist, Josh Hydeman, Derek Johnson, Mattress, Myr Myr,
POWRFL POWER, Racooo-oo-oon, Scard, Shearing Pinx, Talbot Tagora, Your
Drugs My Money, and many more. We can look forward to hearing work
from LA Lungs recent Aphonia Rec. & Debacle releases (“Most of the
Time We Do Not Realize We are Shedding Our Skins”) at this month’s
showcase.

THE PRECAMBRIAN

Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The
Precambrian. In concept, The Precambrian is a constantly evolving
interactive synthesis environment/instrument, engineered by Robertson
using the graphical programming language, Max/MSP.
In its current incarnation, The Precambrian utilizes a “slide zither”, voice, &
various pitch recognition algorithms to coax out microtonal intervals
derived from a graphical system of 11-limit, just intonation matrices.
In performance, Senna (armed with a handful of homemade piezoelectric
transducers, microphones, & field recordings) executes a series of
absurd one-act narratives & vocal onomatopoeia, indicative of both
his sound design work for film & theater.

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Podcast #19 – What Does It Mean to be a Mood Organ

Podcast #19 – What Does It Mean to be a Mood Organ

Aphonia Recordings: series #10
Friday, Oct 3rd @ Gallery 1412
(1412 18th Ave – Seattle, WA)
8:00 PM

-Matt Shoemaker
-Mood Organ (collaboration w/ Zack Shaw)
-The Precambrian

MATT SHOEMAKER

Sourced from both natural and electronic means, Matt Shoemaker manipulates sound so as to convey compositions that uniquely imagine a space encrypted to the point of vanishing definition. Shoemaker is a self-taught artist, employing microphones, digital & analog recorders, computers, acoustic instruments, & assorted signal processors. His work has been published in countries as diverse as Portugal, Germany, England, USA & Malaysia. Matt has also received commissions for radio works across the globe and presented his work at various universities, dance halls, rock clubs, & art galleries.

MOOD ORGAN

Mood Organ is Timm Mason. Mood organ is a construct which seeks to continually reform itself with each subsequent release and live appearance. A Mood Organ piece may utilize evolving drones, phase patterns, treated field recordings, chords constructed from feedback, sounds amplified through solid materials, metal percussion, muffled voices, vintage rhythm boxes, & shortwave radio. In the past, Timm has worked with composers & musicians, including Eldridge Gravy & The Court Supreme, Simon Henneman, Zack Shaw & Ethan Cudaback (as Kuru Cult), Matt Shoemaker, Skip Milford & Chris Pollina (as Quietus), Ed Petry, Bill Horist, Dave Abramson, Gregg Keplinger, & Glenn Branca.

THE PRECAMBRIAN

Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The Precambrian. In concept, The Precambrian is a constantly evolving interactive synthesis environment/instrument, engineered by Robertson using the graphical programming language, Max/MSP. In its current incarnation, The Precambrian utilizes a “slide zither” & various pitch recognition algorithms to coax out microtonal intervals derived from a graphical system of 11-limit, just intonation matrices. Additionally, Senna (armed with a handful of piezoelectric transducers, microphones, field recordings & synths) executes a series of absurd narratives & synthetic onomatopoeia, indicative of both his sound design work for film & theater.

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Podcast #18 – Amy Denio and Aphonia Supergroup

Just a short three weeks ago Amy Denio released her first digital only release on Aphonia Recordings. The release entitled, sub-Rosa, is a soundtrack for a multimedia and dance piece of the same name. Directed by Cheronne Wong at produced at the Langston Hughes Performing Arts Center exactly one year ago today, September 18th, 2008. This podcast gives an overview of sub-Rosa’s inspiration and we hope you will listen in for a track from sub-Rosa.

This is also kind of a double header as the second part of this podcast is the recording of our Aphonia Recordings Supergroup. For the Olympia Experimental Music Festival benefit show in June we assembled an all star cast of recording artists from the label including, Derek M. Johnson, The Precambrian, Ph0n0n, KRGA and Gabe Will of Problems. We hope you enjoy.

Podcast #18 – Amy Denio and Aphonia Supergroup

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Shows: July 2008

Jul 06 – 8:00P Paintings for Animals @ 20/20 Cycle (Seattle, Wa)

Jul 09 – 8:00P Amy Denio @ Rendezvous Jewelbox (Seattle, Wa)

Jul 10 – 8:00P The Precambrian, aye aye/navigator @ le voyeur (Olympia, wa)

Jul 11 – 8:00P Aye Aye, Navigator, KRGA, thunder grey pilgrim @ Gallery 1412 (Seattle, Wa)

Jul 12 – 9:00P Derek M. Johnson @ le voyeur (Olympia, Wa)

Jul 13 2008 6:00P
Paitings for Animals @ Mr. Spot’s Chai House (Seattle, Wa)

Jul 15 – 8:00P Derek M. Johnson @ the Royal (Olympia, Wa)

Jul 17 – 8:00P Amy Denio @ The Red Umbrella (Everett, Wa)

Jul 17 – 8:00P darwinsbitch @ Mission Creek Music Fest (San Francisco, ca)

Jul 18 – 9:00P Paintings for Animals @ S.S. Josephine (Seattle, Wa)

Jul 19 – 12:00P Desolation Wilderness @ What the Heck? Fest (Anacortes, Wa)

Jul 22 – 8:00P Cabinet of Natural Curiosities, the Precambrian @ Gallery 1412 (Seattle, Wa)

Jul 31 – 8:00P Amy Denio @ Gallery 1412 (Seattle, Wa)

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Benefit for the Olympia Experimental Music Festival

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ADDITIONAL NOTE: Show starts at 8:00 PM sharp

For 14 years, the Olympia Experimental Music Festival has been an amazing asset to the NW experimental music community. This year, Aphonia Recordings will be hosting a benefit show to raise money for this year’s festival (…travel expenses for artists, promotion, venue rental etc.. This stuff isn’t free!). In addition to performances, we will also be holding a raffle & silent auction for awesome prizes donated by NW artists & musicians, including: CD’s, LP’s, reel-to-reels, random audio gear, & one squirrel costume (donated by Red Squirrels).

Please show up the benefit, donate generously, buy raffle tickets, bid on a rad prize or two, & support the festival……It will make you a better person!

A number of Aphonia Recordings folks will be performing at the actual festival in Olympia (ie. Paintings for Animals, Darwinsbitch, & a collaboration between Ben L. Robertson + Gabe Will (violist – Problems)).
www.myspace.com/olystrangemusic

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Shows: June 2008

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Aphonia Recordings 2008 Performance Series #6:
Friday, June 6th
Gallery 1412 (1412 18th ave – Seattle)
8:00pm
$5-15 suggested donation

-Paintings for Animals
-Penny & Her Lowercase Kindred (Olympia/Reno)
-The Precambrian

PAINTINGS FOR ANIMALS

Heavy drones, overtone melodies, and the sound of the land – Paintings for Animals performs with field recordings, bowed metals, mixer feedback, throat singing, vocal blips, clicks and the buzz of electronics. Started 2001, in Seattle by Pearson Wallace-Hoyt, the project is maintained to provide a platform for the proliferation of spiritually charged noise and a revival of ritualized sound. With members dispersing to Bali, Kolozberg, New York and San Francisco, Paintings continues to craft a truly Cascadian music of chants, esoterica and the sounds of urban & natural environments.

paintingsforanimals.com

PENNY & HER LOWER CASE KINDRED

Penny and Her Lower Case Kindred is a medley of shadow puppets, an adjustable stage, a variety of keyboards and organs, a synth, a loop station, a head mic, vacuums, strobe lights, fake blood, real blood, some drums,internal dialogue exposed… Unicorn: “We began hosting on-stage forums a couple of years ago once we realized that it was unfair to monopolize Penny’s brain.” Cher: “I wouldn’t really call it a forum…more like the sound of 15 minute recesses from the other side of the chain-link fence. Lots of piercing noises and academic purging.”

www.myspace.com/pennyandherlowercasekindred

THE PRECAMBRIAN

Aphonia Recordings’ founders, Ben L. Robertson & Andrew Senna, team up to explore the spectral transfiguration of minute sounds & vocalizations. In concept, The Precambrian is a sequence of interactive synthesis environments, engineered by Robertson using the graphical programming language; Max/MSP. Often drawing from his background in sound design for film & theatre, Senna utilizes a handful of homemade piezoelectric transducers, microphones, & field recordings to interact within each of these unique synthetic environments. The result of this interaction is a performance which resembles a series of absurd, one-act narratives.

www.aphoniarecordings.com

Jun 05 – 9:00P Desolation Wilderness @ Le Voyeur (Seattle, WA)

Jun 06 – 8:00P Aphonia Rec. Series 6 @ Gallery 1412 (Seattle, WA)

Jun 08 – 8:00P The Precambrian @ The Blue Moon (Seattle, WA)

Jun 14 – 8:00P Agnes Szelag @ 21 grand (Oakland, CA)

Jun 18 – 8:00P Old Number Sevens (Phonon) @ the Tractor (Seattle, WA)

Jun 20 – 8:00P Benefit Show for the Oly Exp Music Fest @ Gallery 1412 (Seattle, WA)

Jun 24 – 6:00P Paintings for Animals @ Henry Art Gallery (Seattle, WA)

Jun 27 – 7:00P Ben Robertson + Gabe Will @ Olympia Experimental Music Festival

Jun 28 – 2:00P Paintings for Animals @ Artopia film show (Seattle, WA)

Jun 28 – 6:00P Darwinsbitch @ Olympia Experimental Music Fest (Olympia, wa)

Jun 29 – 7:00P Paintings for Animals @ Olympia Experimental Music Fest (olympia, wa)