Mood Organ Archive

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New Release, Mood Organ’s “Visiting a Burning Museum”

Aphonia Recordings is pleased to present, along with Debacle Records, the new joint release of Mood Organ’s “Visiting a Burning Museum”  available for purchase on the Aphonia Recordings website! Chris DeLaurenti of Seattle’s alt weekly The Stranger authors a column called The Score. This week he covers Mood Organ and writes:<br><br>

<block quote>”Mason inscribes his music with poetic details that reward headphone listening: lonesome guitar, rustles of wind, swelling tones, and keyboards that sound like they’re underwater, blurred by shivering eddies and ripples.”</block quote><br><br>

Of course, Timm Mason is Mood Organ and while Aphonia Recordings has hosted many incarnations of Mood Organ’s work we are especially excited for this new release, “Visiting a Burning Museum.” As part of the joint release, Debacle Records has manufactured a very short numbered run of 100 CDs and will be available at local record stores in the Seattle area, such as Wall of Sound and Dissonant Plane – so get yours while they’re hot!<br><br>

And, if you are in the Seattle area Mood Organ will be playing a show at Ballard record store, Dissonant Plane this Friday, August 28th.<br><br>

See you there!

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APHONIA FEST 2009 – JUNE 4, 5, 6 (( THURS // FRI // SAT ))

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Hello Everyone,

I wanted to let you know about a festival that we (Aphonia Recordings) will be hosting during the first week of June. As a celebration of 2+ years in business, we have organized this three day festival featuring friends & artists across the region & the country. In classic Aphonia-fashion, the festival will showcase a synthesis of Electroacoustic, Microtonal, Performance Art, Avant-Pop, & New music. As always, we hope to see you there….

-Ben Robertson

DESOLATION WILDERNESS
Desolation Wilderness is a West Coast band. They left the parking lots and the malls, the high schools and the valleys, and found their home at the summer night overlook. Taking the sounds of the cities below & amplifying them into a pitched resonance, they write slow burners & warped guitar/synthesizer/vibraphone ballads influenced by drone music, the photorealistic art of Robert Bechtle, & musique concrete (with pulse included). Desolation Wilderness has released music with a variety of labels, including Aphonia Recordings (In Love With Anything 2007). They hit the studio again & recorded New Universe for release on K Records in August 2009. Itching to leave the studio again, Desolation Wilderness will be touring extensively in support of New Universe.

BILL HORIST
(b. 1971, Washington DC , US )
Since arriving in Seattle in the mid-nineties, Bill has established himself as a highly regarded performer, composer and improviser. He has appeared on over 50 releases and has performed hundreds of concert around the world. In addition to his solo endeavors and work with bands Master Musicians of Bukkake, the Paul Rucker Ensemble and Ghidra to name a few, he has collaborated with a wide range of artists including John Zorn, Secret Chiefs 3, Ruins, Bill Frisell, KK Null, Vidushi Sumitra Guha, Kinski, & Aiko Shimada among many others. In practice, Bill’s prepared-guitar tactics will stun.

MOOD ORGAN:
Mood Organ is the solo project of Seattle-based musician Timm Mason. Timm is best known as the bass player for diverse acts including funk juggernaut Eldridge Gravy & the Court Supreme, psych-rock supergroup Midday Veil, and instrumental hip-hop cover band Hamburger Pimp. Mood Organ is a platform for exploring different modes of listening and intersections between musical (& non-musical) genres. Each Mood Organ performance is unique; recent performances have included a solo performance on electric bass, a duet between saxophone and amplified objects, and a solo composition for harmonium and prepared piano. Work is nearly complete on the first full-length album “Visiting a Burning Museum “. Also in progress is a series of solo performances inspired by the classical elements and their associated platonic solids. For the Thursday show, Mood Organ will be presenting Quietus 3. Quietus is an improvised drone ensemble with fluid membership. I’m nailing down the complete lineup but it will at least include Skip Milford (electric fiddle), Emily Pothast (vox), David Golightly (analog synth), and myself on bass.

GABRIEL WILL + IAN ACKERMAN
Gabriel Tuzzolino Will and Ian Thomas Ackerman are two members of a loose collective of musicians also including Warren Lee and Danny Sasaki. They are bent on exploring the outer limits of tonality as it exists within nature eschewing the harmonic imprecision of equal temperament. Harsh dissonances are revealed as delicate sonorities by the temporal stretch of the music.

LA LUNGS
L.A. Lungs was formed in the summer on 2005 in a Tacoma studio apartment by Afterthought Lung (nee Nathan Markiewicz) and Leeward Lung (nee Lori Peterson). What began as a “studio” project became a “functioning” live act by the summer of 2006, with L.A. Lungs making their live debut at the, now defunct, No Tomorrow concert series in Seattle . L.A. Lungs continue to perform around the Pacific Northwest and have been fortunate enough to share bills with artists such as Acre , Wesley Borden, Cabinet of Natural Curiosities, Crank Sturgeon, The Dead Air Fresheners, Steve Fisk, Forest Friends, Gowns, Bill Horist, Derek Johnson, Mattress, Myrmyr, POWRFL POWER, Shearing Pinx, Talbot Tagora, Your Drugs My Money, and many others. In their loose arrangements L.A. Lungs use variances in phrasing, the inconsistencies of live electronic sound manipulation, and acoustic/amplification variables to create semi-improvised compositions that can vary drastically in tone, rhythm, and emotive qualities from one performance to the next. Visitors to the Aphonia Fest can look forward to the possibility of hearing work from LA Lungs recent Aphonia Recordings release, Most of the Time We Do Not Realize We are Shedding Our Skins 2008, as well as newer material.

KRGA
Kristian Garrard’s project, KRGA, aims to combine the sounds of any and all instruments around into thick, swarming clouds of tones using self-built sampling software. He uses emphasis on drones and moving textures to create warm and dense atmospheres. Most pieces are created using only one or two instruments as source material to be processed & resampled in the software environment, Max/MSP. Past works have used utilized the ubiquitous 60 hz ground-hum, a “personal massager”, as well as more traditional instrumentation. In performance, deconstructed sounds swirl around the room, as patiently created beds of tones build into a complex organic storm.

UNICORNS IN THE SNOW
Unicorns in the Snow is the one-woman project of Kansas City-based composer, performance artist, & social worker, Julia Vering. The project’s roots are grounded in earlier attempts to explore empathy in a visual context. Her most recent work, “The Aviator”, is a miniature opera inspired by the narrative of an aging, anti-social pilot, obsessed by the inimitable power of flying planes. In the final act, recorded the day after the aviator’s death, reveals the primal collaboration of the artist and her elderly muse, commencing in a primal scream accompanied by violent arthritic movements of the performers’ neck and hands.

MANGLED BOHEMIANS
Mangled Bohemians (PDX) are an intensely atmospheric two-piece band featuring massively effected guitar and electronics. Mining heavily from the post-punk tradition of the likes of Glenn Branca, Savage Republic , Heathen Earth era Throbbing Gristle, and Sonic Youth’s SYR releases, Mangled Bohemians create long spacey drones that melt into beautiful washes & pseudo-melodies.

PAINTINGS FOR ANIMALS
Heavy drones, overtone melodies & the sound of the land – Paintings for Animals is the vocal electro-acoustic music of Pearson Wallace-Hoyt. The sound possesses an archaic resonance connecting the human voice with an Earthen narrative of the landscape, flora, fauna & human ritual of both pre & post-history. Started in 2001 & transformed for live presentation in 2007, performances have taken place at art, dance & music galleries, warehouses, bars, cafés, DIY venues & live radio. Paintings music has been used in film, for video, installation & with dance.

DEREK M. JOHNSON
Derek is an Olympia native and can’t seem to ever get away. He frequently performs solo acoustic/electric cello throughout the Northwest with an ever changing, direct animation slide show. He’s been a member of Bloodclot, Dead Air Fresheners, Le Ton Mite, Frequency dB, and the unfortunately named Superfly 2000. Collaborations include: Unwound, Thollem McDonnas, Jeremy Jay, Ben L Robertson, Arrington de Dionyso, Bob Marsh, among others.

DAEDELUM
The magnetic vortex that is eastern Washington is perhaps best reflected by the banshee like howls and tortured vocal treatments that hover over the fractured rhythms and found-sounds of Ryan Leeds’ project, Daedelum. Leeds is interested in exploring the boundaries of traditional instrumentation & dissecting, reassembling, & colliding the parts with electronic gestures and commentaries. The music is aurally diverse and intentionally oblique. The compositions are informed as much by Leeds ‘ upbringing and education as by his various employment stints, including work as a recording engineer for a books-on-tape factory, a camera operator for a local news affiliate, a graphic designer, and currently as a CAD technician.

THE PRECAMBRIAN
Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The Precambrian. In concept, The Precambrian is a constantly evolving interactive synthesis environment/instrument, engineered by Robertson using the graphical programming language, Max/MSP. In its current incarnation, The Precambrian utilizes a slide zither & various pitch recognition algorithms to coax out microtonal intervals derived from a graphical system of 11-limit, just intonation matrices & traditional Arabic Maqams. Additionally, Senna (armed with a handful of piezoelectric transducers, microphones, field recordings) executes a series of absurd narratives & synthetic onomatopoeia, indicative of both his sound design work for film & theater.

www.aphoniarecordings.com

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Premier of Aphonia Recordings Voice/Strings Ensemble: Fri, May 1st @ Gallery 1412

Hello Everyone!
I am super pleased to announce that I will be premiering a brand new piece (Thamnophis sirtals: 2.25 Incantations & Spectral Taxonomy) at the upcoming Aphonia Recordings showcase on Friday, May 1st. Thamnophis sirtalis.

It is a taxonomically-themed, microtonal composition written for a voice & strings ensemble consisting of a number of active NW performers & Aphonia artists (ie. Amy Denio, Derek M. Johnson, Emily Pothast, members of Problems, Mood Organ, Midday Veil, etc..) I’m pretty excited to get all of these folks under one roof & feel extremely honored to have them performing my piece.

be there or be square-rooted!
-Ben Robertson (Aphonia Recordings Co-Founder)
Friday, May 1st @ Gallery 1412
1412 18th ave – Seattle
8:00 PM sharp!
Thamnophis sirtalis: 2.25 Incantations & Spectral Taxonomy for voices, electric bass guitar, cello, amplified viola, & amplified violin

Composed & Produced by:
Ben L. Robertson Aphonia Recordings co-founder, The Precambrian

Performed by:<
Emily Pothast (Mezzo-Soprano; Midday Veil)
Amy Denio (Alto; The Tiptons, Kultur Shock, etc..)
Jackie Ahn (Violin)
Ian Ackerman (Violin; Problems, Romanteek, The Strangers)
Gabriel Will (Viola; Problems)
Derek M. Johnson (Cello, Bloodclot, The Dead Air Fresheners, etc..)
Timm Mason (Fretless Bass; Mood Organ, Midday Veil, Eldridge Gravy, etc.)

Description:
Traditionally, biological disciplines, such as Taxonomy, & the arts have been viewed as, more-or-less, distinct from one another. Intersections between these two seemingly disparate practices are often more figurative than structural. Perhaps the clinically macabre imagery particularly associated with taxonomy, complete with shelves full of dead plants & animals preserved in bottles of formaldehyde, has done little to marry biological sciences to the expressive arts. However, the parallels in methodology that unite these two disciplines offer great potential.

By definition, a taxonomist gathers empirical observations regarding the physiology & behavior of organisms (both living and deceased) to craft an explicit vernacular that definitively describes his or her biological subjects. Through a similar methodology, the spectral composer may gather relevant acoustic data, classify this data in the form of a literal or symbolic language, & establish a protocol of musical conditions that reflect the nature of data collected. Within the piece, this process entails the development of a proprietary vocabulary, or spectral taxonomy, to describe & classify the individual harmonic phenomenon and spectral behaviors exhibited in the context of Frequency Modulation (FM) synthesis. The resultant spectral taxonomy is the maturation of a system of microtonal tuning & counterpoint that effectively exploits the unique timbres produced by specific FM algorithms.

Phonetically, the piece adopts the aesthetic of an Audubon field guide, as each vocalist recites a series of incantations documenting the Latin names of various North American subspecies of the ubiquitous Common Garter Snake, Thamnophis sirtalis.

aphoniarecordings.com

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Crazy Sale on Mood Organ

Our friend Mood Organ is on sale! Once priced at $2.99 for these extended tracks (over 20 minutes long!) these now can be yours from the Aphonia Recordings website for a bargain basement price of $0.99 per track. We hope you enjoy. Have you ever dreamed of taking Mood Organ on the road with you, in your car, on the bus or on your moped? Now you can for only $0.99 each. Click the images below to take advantage of this seriously awesome opportunity!





Mood Organ – 879
[AR022]
OUT OF PRINT

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Mood Organ – 032
[AR021]
OUT OF PRINT

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Check Out All Our New Releases

We have been busy lately. All of these releases have come out in the last two months or so. We are expecting a few more, including Nucular Aminals self titled debut on the label as well as well Mangled Bohemians’ Degeneration. Also in the works is a special limited release with Derek M. Johnson and Rachel Carns of The Need performing a live improvised score to the silent film classic, The Phantom of the Opera. Stay tuned for these exciting releases… and also if you would like to catch up with The Need and Mr. Johnson, they will be playing a special one time only concert Friday December 12th at Gallery 1412 – make sure to catch them! More on this later!

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Paintings For Animals – Cistern Air [AR023]
buy now

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Dokuro – The Black Room
[AR020] buy now

most-of-the-timelg

L.A. Lungs – Most of the Time We Do Not Realize that We Are Shedding Our Skin [AR018]

subrosalg

Amy Denio – sub-Rosa
[AR019] buy now

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2 x Mood Organ EP’s (032 & 879)

OUT NOW! 2 brand new EP’s by Mood Organ. “…evolving drones, phase patterns, treated field recordings, noise blasts, chords constructed from feedback, sounds amplified through solid materials, metal percussion, muffled voices, vintage rhythm boxes, shortwave radio, or none of those things (?????)”


[AR021] Mood Organ – 032 (21’24″) OUT OF PRINT


[AR022] Mood Organ – 879 (22’58″) OUT OF PRINT

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Podcast #19 – What Does It Mean to be a Mood Organ

Podcast #19 – What Does It Mean to be a Mood Organ

Aphonia Recordings: series #10
Friday, Oct 3rd @ Gallery 1412
(1412 18th Ave – Seattle, WA)
8:00 PM

-Matt Shoemaker
-Mood Organ (collaboration w/ Zack Shaw)
-The Precambrian

MATT SHOEMAKER

Sourced from both natural and electronic means, Matt Shoemaker manipulates sound so as to convey compositions that uniquely imagine a space encrypted to the point of vanishing definition. Shoemaker is a self-taught artist, employing microphones, digital & analog recorders, computers, acoustic instruments, & assorted signal processors. His work has been published in countries as diverse as Portugal, Germany, England, USA & Malaysia. Matt has also received commissions for radio works across the globe and presented his work at various universities, dance halls, rock clubs, & art galleries.

MOOD ORGAN

Mood Organ is Timm Mason. Mood organ is a construct which seeks to continually reform itself with each subsequent release and live appearance. A Mood Organ piece may utilize evolving drones, phase patterns, treated field recordings, chords constructed from feedback, sounds amplified through solid materials, metal percussion, muffled voices, vintage rhythm boxes, & shortwave radio. In the past, Timm has worked with composers & musicians, including Eldridge Gravy & The Court Supreme, Simon Henneman, Zack Shaw & Ethan Cudaback (as Kuru Cult), Matt Shoemaker, Skip Milford & Chris Pollina (as Quietus), Ed Petry, Bill Horist, Dave Abramson, Gregg Keplinger, & Glenn Branca.

THE PRECAMBRIAN

Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The Precambrian. In concept, The Precambrian is a constantly evolving interactive synthesis environment/instrument, engineered by Robertson using the graphical programming language, Max/MSP. In its current incarnation, The Precambrian utilizes a “slide zither” & various pitch recognition algorithms to coax out microtonal intervals derived from a graphical system of 11-limit, just intonation matrices. Additionally, Senna (armed with a handful of piezoelectric transducers, microphones, field recordings & synths) executes a series of absurd narratives & synthetic onomatopoeia, indicative of both his sound design work for film & theater.

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Benefit for the Olympia Experimental Music Festival

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ADDITIONAL NOTE: Show starts at 8:00 PM sharp

For 14 years, the Olympia Experimental Music Festival has been an amazing asset to the NW experimental music community. This year, Aphonia Recordings will be hosting a benefit show to raise money for this year’s festival (…travel expenses for artists, promotion, venue rental etc.. This stuff isn’t free!). In addition to performances, we will also be holding a raffle & silent auction for awesome prizes donated by NW artists & musicians, including: CD’s, LP’s, reel-to-reels, random audio gear, & one squirrel costume (donated by Red Squirrels).

Please show up the benefit, donate generously, buy raffle tickets, bid on a rad prize or two, & support the festival……It will make you a better person!

A number of Aphonia Recordings folks will be performing at the actual festival in Olympia (ie. Paintings for Animals, Darwinsbitch, & a collaboration between Ben L. Robertson + Gabe Will (violist – Problems)).
www.myspace.com/olystrangemusic

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Seattle Occultural Music Festival (May 16, 17, 23, 24)

2008 SEATTLE OCCULTURAL MUSIC FESTIVAL [May 16, 17, 23 & 24]

Friday, May 16th @ 8pm, All ages
Gallery 1412
1412 18th Ave

Robin Holcomb
Phillip Arnautoff
Michal Szostalo

Saturday, May 17th @ 8pm, All ages
Dearborn on Woodland [Film night]
4131 Woodland Park Ave N

Voodoo Israel[Portland]
Eric Ostrowski
Tyler Potts
Paintings for Animals
+others

Friday, May 23rd @ 8pm, All ages
Underground Event Center
2407 1st Ave
Agnes Szelag [Oakland]
Cult of Zir [Portland]
Matt Shoemaker
Ben L. Robertson
KRGA
Tempered Steel
Forrest Friends
Thunder Grey Pilgrim
Arsenlives

Saturday, May 24 @ 10:30pm, 21+ w/ID
Rendezvous Jewelbox Theatre
2232 2nd Ave
A Minority of One[Portland]
Red Squirrels
Mood Organ

A two-weekend, community-based festival of esoteric, mystical & psychoacoustic musics, spanning the region’s breadth of generations & genres. Established to integrate Seattle’s diverse experimental arts scene, introduce new local artists & import important outside influence. Generous promotion provided by Aphonia Recordings & Hollow Earth Radio. All shows are all ages & start at 8pm, except the 24th which is 21+ w/ID & starts at 10:30pm. There is a suggested price of $5-15, all donations at the door. The vast majority of proceeds go toward curbing travel costs for performers not from the immediate Seattle area.

The SOMF is featuring JAMES NEILSEN’s multilayered, transcendental paint, pen & collage creations. Dense, salon-style conglomerations of his work, as well as display books, will be assembled & featured for the month of May at Dearborn on Woodland. We hope to introduce his work to a wide & appropriate audience by displaying it in this frequented stronghold of DIY art. Additionally, 100′s of scanned works informed by extreme paranoia, isolation, drugs, violence, exertion, sleeping, wandering, alchemaic & qabbalistic diagrams can be view at myspace.com/jamesneilsen.

SOMF will present musical performances of/by Robin Holcomb, Phillip Arnautoff, Michal Szostalo, Eric Ostrowski, Derek M. Johnson, Tyler Potts, Paintings for Animals, Agnes Szelag, Matt Shoemaker, Ben L. Robertson, Thunder Grey Pilgrim, KRGA, A Minority of One, Red Squirrels, Mood Organ & many others.

Friday, May 16th @ 8pm, All ages
Gallery 1412
1412 18th Ave

ROBIN HOLCOMB

Pianist, composer, singer and songwriter Robin Holcomb has performed extensively in North America, Europe, Australia and Asia as a solo artist and the leader of various ensembles. Recent performances include appearances at Queen Elizabeth Hall (London), Carnegie Hall, The Verona Jazz Festival, The San Francisco Jazz Festival, Hong Kong Arts Festival, Festival of Perth, DuMaurier Jazz Festivals and Arts at St. Ann’s.

Her work has been called ‘remarkable’ (CMJ), ‘stunning’ (Option), ‘entrancing’ (Billboard) and ‘sensitive, descriptive, adventuresome and full of soul’ (Washington Post.) The New York Times had this to say about her difficult-to-define musical style: ‘Robin Holcomb…has created a new American regionalism, spun from many threads – country, rock, minimalism, Civil War songs, Baptist hymns, Appalachian folk tunes, even the polytonal music of Charles Ives. The music that results is as elegantly simple as a Shaker Quilt, and no less beautiful.’
robinholcomb.com

PHILLIP ARNAUTOFF

In the 1970s Mr. Arnautoff began work on an expansion of the harmonic resources of the Partch tuning system and built his Harmonic Canon, a large zither-like instrument of 66 strings , played with plectra and requiring a standing player. Years of on-again, off-again research and a number of abandoned projects in composition finally culminated in the composition of SOLILOQUY, begun in the winter of 1998-99 and completed in 2000, when it was recorded and released by Periplum recordings. The work has since undergone numerous revisions.

The tuning of the Canon for SOLILOQUY is based on the expansion of a purported scale from ancient Greece to an array of 21 tones. The work itself is continuous, though divided into two large sections, the first a single unit comprising five contrasting episodes, the second an essay in perpetual motion. The subtitle
“A Ritual of Communion with Vibrating Strings” refers to the characteristic resonance of the Harmonic Canon, a resonance that is unceasing to the very end and set into motion by the work’s harmonic and melodic configurations.

MICHAL SZOSTALO

MICHAL SZOSTALO has been steadily working on new music: Chamber music, music for film & TV, multimedia events, 3D installations, songwriting, electonis sounds, jazz and improvisation. His compositional works have received a slew of comissions from both Europe & the United State, including the ‘Hermes, Dog & Star’ at the Polish Royal Palace, ‘Train’ for Barefoot Studios in Tacoma & scoring for the film ‘Burning Man’. Szostalo plays piano, accordion, guitar, bass and a variety of exotic instruments and is aslo a member of Croatian/Bosnian folks ensemble Ruze Dalmatinke.

‘Reruns of the Final Battle’ is Szostalo’s String Quartet no. 1 and was originally commissioned in 2003, performed and recorded at an opening of sculpture work by Viktor Szostalo. The piece’s structure references Biblical prehistory, initiation of cilization & apocalyptic trajectory. The electronic tracks range from shifting guitar pulses to walls of layer trumpets to dark clouds of white noise. This largely aleatoric work’s creation was informed by study of mictronalities ranging from Partch to gamelan to the experimental academic synthesis. This rendition will be performed by regional ensemble of players know for their innovation & energy, Eric Ostrowski, Derek M. Johnson, Gabe Will & Ian Ackerman.

Saturday, May 17th @ 8pm, All ages
Dearborn on Woodland [Film night]
4131 Woodland Park Ave N

VOODOO ISRAEL [San Fransisco]

VOODOO ISRAEL’s spiritual drone noise is hot and heavy with the humidity of the crossed wires of internal feedback & the christening winds of pumps organs & overtone singing. His work calls us to listen as Mother Earth is speaking in tounges through the ageless, ratling, and exagerated bone structure of every obsorbed entity.

myspace.com/voodooisrael

ERIC OSTROWSKI

Eric Ostrowski is a freely-improvising musician and experimental filmmaker based in Seattle, WA. He played guitar and violin as one half of the legendary improv-noise duo of Noggin from 1993-2006. He has been concurrently developing his hand-made film style.

TYLER POTTS

TYLER POTTS believes in spontaneity and in our capacity to learn from things we can’t yet explain. His latest musical endeavors include: improvising with a dancer, playing the auto harp differently, exploring what happens in the length of a minute, singing things that come to mind without thinking too much about it, and trusting first impulses.

PAINTINGS FOR ANIMALS

Heavy drones, overtone melodies and the sound of the land – Paintings for Animals performs with field recordings, bowed metals, mixer feedback, throat singing, vocal blips, clicks and the buzz of electronics. Started 2001, in Seattle by Pearson Wallace-Hoyt, the project is maintained to provide a platform for the proliferation of spiritually charged noise and a revival of ritualized sound. With members dispersing to Bali, Kolozberg, New York and San Francisco, Paintings continues to craft a truly Cascadian music of chants, esoterica and the sounds of urban & natural environments.

paintingsforanimals.com

+works from Patrick McMurchie, Jake Sweeney-Samuelson & others

Friday, May 23rd @ 8pm, All ages
Underground Event Center
2407 1st Ave

AGNES SZELAG [Oakland]

Agnes Szelag is a composer, performer, and video/audio installation artist. Her work explores the cognitive and aesthetic relationship of sound and visual media in chosen environments. In performance and composition she creates interactive schemes that ride the line between composition and improvisation.

Her work has been featured in the Electronic Music Midwest Festival, the Illuminated Corridor Festival, 60 x 60, Voices on the Edge, at the Stone in NY, and has been broadcast nationally on KQED for the show Spark. She has also executive produced numerous video pods that have aired nationally on Current TV. This fall she will be playing in the San Francisco Electronic Music Festival as myrmyr.

www.aggiflex.com

CULT OF ZIR [Portland]

‘Done with layered vocals, the voice warped, resonated, gorged upon itself, mated with itself and destroyed itself. There are other artists that work with this type of manipulation and it is easy to overindulge into what this type of performance offers. I think he managed to keep it stark enough to allow the idea to shine through instead of being buried under the layers of gimmicky goop.’ -morimur

MATT SHOEMAKER

MATT SHOEMAKER focuses upon the treatment of sonic phenomena. Sourced from both natural and electronic means, Shoemaker manipulates sound in an affected and often grotesque manner, so as to convey compositions that uniquely imagine a space encrypted to the point of vanishing definition. The narrative tradition haunts Shoemaker’s work, but only the sort found in patterns and systems free from willful intention… much like an apple compelled by necessity to rot to its core.

His essential technique is one of obsessive artifice. It is the clarity of nuance and attention to detail that contrasts and balances any intended obscurities. It is from humility, a strategy for authenticity, and a personal view of an ideal aesthetics that Shoemaker proclaims: ‘Obviousness is my art’s antithesis.’

Shoemaker is a self-taught artist, employing microphones, digital and analog recorders, computers, acoustic instruments, and assorted signal processors. His work has been published in countries as diverse as Portugal, Germany, England, USA and Malaysia. He has also received commissions for radio works across the globe and presented his work at universities, dance halls, rock clubs, and art galleries.

THUNDER GREY PILGRIM

THUNDER GREY PILGRIM is a landscape…a landscape and a person walking in that landscape. There are daunting cliffs there, and plains glad in their way of brown monotony. But especially there are sinkholes, places of sudden terror, of small circumference and malevolent depths.

KRGA

KRGA aims to combine the sounds of any and all instruments around into thick, swarming clouds of tones using self-built sampling software. He
uses emphasis on drones and moving textures to create warm and dense atmospheres. Most of these pieces are created using only one or two
instruments as sound sources, which are processed and resampled real-time in a computer environment. KRGA live performances surround the audience with live generated synthesis and sampling. Deconstructed sounds swirl around the room, as patiently created beds of tones build into a complex organic storm.

myspace.com/krga

BEN L. ROBERTSON

BEN L. ROBERTSON uses a battery of algorithms & processes developed in Max/MSP to extract dense textures from a variety of found & performed sources.

His compositional process demonstrates an almost pathological obsession with the acoustic relationships between timbre & extended forms of tonality. Consequently, it comes as no surprise that he regularly utilizes a historical cannon of microtonal scales, including Harry Partch’s 43 tone scale, various other forms of just intonation, and the stretched octaves of the Balinese gamelan, as well as his own timbre-specific tuning systems.
aphoniarecordings.com

TEMPERED STEEL

TEMPERED STEEL features Ffej, Frank Junk, and Dennis Rea playing a variety of amplified, electronically processed thumb pianos. The trio sounds like no other thumb piano ensemble you’ve ever heard, conjuring phantom harpsichords, as-yet-uninvented stringed instruments, musique concrete…
myspace.com/tempsteel

+FORREST FRIENDS & ARSENLIVES

Saturday, May 24 @ 10:30pm, 21+ w/ID
Rendezvous Jewelbox Theatre
2232 2nd Ave
A MINORITY OF ONE [Portland]

Feed by water and an unseen warming sun
arisen from the ancient seed
the rain is warm and soaks the crowd
roots buckle then pulverize
a new life awakens as the old grey body returns to dust.

laughingcrowe.com

RED SQUIRRELS

Few squirrels have earned such a reputation for playfulness and roguery as the Red squirrel. This squirrel is a well-known backyard inhabitant that often has a saucy regard for its human neighbors. A Red squirrel will firmly scold all intruders with shrill chatters, clucks and sputters, falsettos, tail flicking and feet stamping. Even when it is undisturbed, this chatterbox often chirps as it goes about its daily rountine.

myspace.com/redsquirrelz

MOOD ORGAN

MOOD ORGAN’s breathing cycles are informed by vibration, interference patterns, recording & playback devices, altered states, violence, electricity, sex, mirrors & feedback. Timm Mason also plays bass & electronics with the death improv ensemble Kuru Cult, and will be performing at the Sculpture Park staging of work by Glenn Branca.

myspace.com/moodorgan