Electronic Archive

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Kelli’s Starlight Wishes Tour Dates!

Diamond Matter by Kelli's Starlight Wishes

July 12- Seattle Occultural Festival (Our Release show) at the Josephine with Swahili, Hair and Space Muesum and Honey.Moon. Die., Seattle, WA

July 13 – Redlight with The Ames, Bellingham, WA

July 14- Inspace Art Co-Operative, Seattle, WA

July 15- Mandy Mgee’s Music Moment Webshow

July 20- The Northern with Cohosh, Jabi Shriki, and Nancy Drew Pentagrams, Olympia, WA

July 21- The Business- in store at 5pm free , Anacortes, WA

I trace the ancient wood of a great door, noticing the bronze hinges that are as large as my head I realize I have entered a strange and wonderful dream, one that I do not want to wake up from. Down cavernous hallways and through beaded doors and cushioned by walls of intricate tapestries, I submerge deeper into an altogether subterranean and enveloping space. The sound around me is that of “Diamond Matter” from Seattle, Washington musician, Kelli Francis Corrado.

From the initial bursts of harps and strings on the first track “The Bell” to tightly arranged vocals laced and woven together with electric beats on “Honeycomb” make this a strangely concocted brew. It is music that is hard to describe without decrying words as completely inadequate to describe the space that this collection of songs inhabits. “Diamond Matter” is both primal and rarefied.

Corrado comes to Aphonia Recordings a fully formed force of her own. All the tracks are her own but her arrangements boast an impressive line up of very talented performers. Of course it doesn’t hurt that you have Scott Colburn on your record as a co-producer. Colburn has worked with Animal Collective, Nurses and Arcade Fire. With a similar tightness and sheen Corrado’s work here is supported and her compositions are in no way overwhelmed by the production but fully fledged.

Local music scavengers Ball of Wax have already been making noises about the immanent release of this record and you will know why from the first 10 seconds that leap into your ears. She has also been infiltrating earholes across the pond and as Jane Bradley of UK music blog The Girls Are says Corrado is “dark, atmospheric and enchanting.” Her live performances have been described as melancholy and nearly always her short bio includes her past as a wife of a member of the armed forces, clearly her music defines her now far beyond this association. Yes, here music at times mournful, but it also tastes sweet and complex.

Corrado is planning a string of short tours around the west coast this Summer for it is one thing to enter her world at home, it is quite another to walk into her home, her show and allow her to open the door for you. We couldn’t be more excited for her debut with Aphonia Recordings.

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New Releases! Miguel Baptista Benedict (of Divorce Party) & Kelli Frances Corrado

These are exciting times. I really love it when two disparate artists, who live so far apart both come out with two astounding records with near synchronicity. Deviation from expected norms from Aphonia Recordings has become commonplace in the last two years. We have released rock, folk, electroacoustic, experimental, electronic dance, ambient – you name it. Which is why I love these upcoming releases from Miguel Baptista Benedict and Kelli Frances Corrado. They are genre creating, uncovering territory for Aphonia Recordings and for their audiences.

Diamond Matter by Kelli's Starlight Wishes

First, there is Kelli’s Starlight Wishes, the project title of well established folk-tronic singer-songwriter Kelli Frances Corrado. She brings lilting melodies, broadly painted string arrangements and  just-on-the-gloopy side of cracked open drum machine sequences. “Diamond Matter” is a narrative of sorts, the threads coursing through one track develop in the next. By the end, it is as if the Earth stopped turning and only then heard its heart beat. This all might seem like quaint embellishment and huffery, but this record deserves a listening from start to finish.

Now, Divorce Party is an incredible group and few play with such tightness – a skill with which the band takes as a given – but Divorce Party has a strange glue in it, one that isn’t apparent until you start to peel away any member of the group. One such glue constituent is Miguel Baptista Benedict. He is the source of the oft cringed death knell, scream or menacing textures that roam around the few complete breaks between speedy guitar, bass and drums. Credited as “Vocal Manipulation” on their debut EP with Aphonia Recordings entitled “Astrocongertion Opporium,” here with “Sa[i]l[e]s” Benedict has head bobbing throbs, languid strings and familiarly outlandish soundscapes.

Sailes by Miguel Baptista Benedict

This, indeed, couldn’t be more true for a band that without him, would not have the shrill whine,  robotic seances, much less the space to take a breath in their all too frenetic pace. Benedict’s debut solo release is something entirely surprising given this context.

This new record, entitled “Sa[i]l[e]s,” is in fact, a roving collection of poems. Not verbal ones mind you but aural poems. Here, as in Corrado’s “Diamond Matter,” strings languish and sneak around oblique arrangements of bass tones and bursts of synaethesic fizzes and thick drizzles. This record demands acute attention. It’s  subtlety is apparent both in it’s penchant for head bobbing distraction, to viewing near death precipices. Yes, again, grandiose. Why shouldn’t it be? Benedict carves new sinews into what a song structure could be. He is a futurist of pop, although his music carries non of the trappings and tired commercial linguistics of an already dead language.

The beautiful coincidence here is that Benedict and Corrado share something. They share an aesthetic reality, one that once immersed you will not want to leave.

More on Kelli Frances Corrado:

Kelli Frances Corrado is Kelli’s Starlight Wishes. She comes to Aphonia Recordings a fully formed force of her own. All the tracks are her own but her arrangements boast an impressive line up of very talented performers. Of course it doesn’t hurt that you have Scott Colburn on your record as a co-producer. Colburn has worked with Animal Collective, Nurses and Arcade Fire. With a similar tightness and sheen Corrado’s work here is supported and her compositions are in no way overwhelmed by the production but fully fledged.

Local music scavengers Ball of Wax have already been making noises about the immanent release of this record and you will know why from the first 10 seconds that leap into your ears. She has also been infiltrating earholes across the pond and as Jane Bradley of UK music blog The Girls Are says Corrado is “dark, atmospheric and enchanting.” Her live performances have been described as melancholy and nearly always her short bio includes her past as a wife of a member of the armed forces, clearly her music defines her now far beyond this association. Yes, her music at times mournful, but it also tastes sweet and complex.

Corrado is planning a string of short tours around the west coast the Summer of 2012 and we will be sending updates as shows are announced for it is one thing to enter her world at home, it is quite another to walk into her home, her show and allow her to open the door for you. We couldn’t be more excited for Kelli’s Starlight Wishes on Aphonia Recordings.

More on Miguel Baptista Benedict:

A Michiganer,  noise artist, vocalist and singularly talented musician and composer, Benedict first made an appearance in the Aphonia Recordings catalog with last year’s “Astrocongertion Oporium” by Divorce Party. After a recent stint living in Los Angeles he produced perhaps his most accessible compositions to date.

Formerly, of noise duo Puberty, and collaborative project with Craig Johnson of Laserbeams of Boredom, Benedict originally began his music career learning the trumpet and quickly transitioned into experimental and noise music. Benedict is a singular talent and source of energy as a musician, composer and friend of Aphonia Recordings.

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Myello Electronics With Trio of New/Unreleased Recordings

In May of 2007 our record label kicked off with a showcase of artists who have continued to release great music nearly 5 years later. Daniel Farrell of Olympia, Washington was there and indeed was at many of our showcases held for those first three years of our existence. We are extremely happy to present three unreleased records simultaneously of our old friend and very talented electronic musician Daniel Farrell (aka Myello Electronics & Adger Bacid).

The first of these is “Gravitational Collapse.” Those of you who are familiar with Myello Electronic’s first release “Composites and Variations on Forms” would recognize “Gravitational Collapse” as gloopy and trippy as ever. I mention this one first because between all three releases there is a palpable growth pattern that one can track through time.

Myello Electronics - Gravitational Collapse

The second in this trio of unreleased gems is “Amour Fou.” We reported back in late 2007 on Mr. Farrell’s participation in Gabriel Bacon and Paul Schrag’s “Environmental Aesthetics.” Myello Electronics was commissioned to create on-site recordings of Cooling Tower No. 5 from an uncompleted nuclear reactor. The original blog post goes on to say:

Today, massive remnants of the project remain, including Cooling Tower No. 5, which was selected as the site of the Environmental Aesthetics residency program. The concrete tower rests beside the Chehalis River, rising nearly 500 feet in the air, its 15-foot-thick concrete wall encircling four acres of grass covered soil. To date, the structure has remained gated and largely unused. The Satsop Residency aims to reinterpret this epic monument as a sublime environment with the potential to function as an all encompassing artistic medium, emphasizing the interplay between site-specific sonic art, seemingly obsolete industrial architecture and the natural environment.

Read the entire post from December 2007, here. “Amour Fou” is a swirling, gliding, abstract and obscure ambient tribute to Cooling Tower No. 5.

Myello Electronics - Amour Fou

In the intervening years we have not only a change in tone and sonic inclination but a change in name as well. Farrell began to produce more dance-able, techno-y, tunes under the moniker Adger Bacid. This toe tapping, house-y and tribute-like record comes as a breath of fresh air and truly shows Farrell coming out the other side of Cooling Tower No. 5 with some freshness.

Adger Bacid - Post Rave Nostalgia

Myello Adger Bacid Electronics

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Series 3 Podcast: ph0n0n

Catch ph0n0n’s set at the Gallery 1412

Series 3 Podcast: ph0n0n

ph0n0n creates soundtracks with elements of ambience, noise, microtonality, chance processes and live improvisation. Chris Hanis and Adam Reza met in early 2007 through a shared interest in innovative electronic music. They are working in their studio on recordings for their first album.