Shows Archive

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Shows: June 2008

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Aphonia Recordings 2008 Performance Series #6:
Friday, June 6th
Gallery 1412 (1412 18th ave – Seattle)
8:00pm
$5-15 suggested donation

-Paintings for Animals
-Penny & Her Lowercase Kindred (Olympia/Reno)
-The Precambrian

PAINTINGS FOR ANIMALS

Heavy drones, overtone melodies, and the sound of the land – Paintings for Animals performs with field recordings, bowed metals, mixer feedback, throat singing, vocal blips, clicks and the buzz of electronics. Started 2001, in Seattle by Pearson Wallace-Hoyt, the project is maintained to provide a platform for the proliferation of spiritually charged noise and a revival of ritualized sound. With members dispersing to Bali, Kolozberg, New York and San Francisco, Paintings continues to craft a truly Cascadian music of chants, esoterica and the sounds of urban & natural environments.

paintingsforanimals.com

PENNY & HER LOWER CASE KINDRED

Penny and Her Lower Case Kindred is a medley of shadow puppets, an adjustable stage, a variety of keyboards and organs, a synth, a loop station, a head mic, vacuums, strobe lights, fake blood, real blood, some drums,internal dialogue exposed… Unicorn: “We began hosting on-stage forums a couple of years ago once we realized that it was unfair to monopolize Penny’s brain.” Cher: “I wouldn’t really call it a forum…more like the sound of 15 minute recesses from the other side of the chain-link fence. Lots of piercing noises and academic purging.”

www.myspace.com/pennyandherlowercasekindred

THE PRECAMBRIAN

Aphonia Recordings’ founders, Ben L. Robertson & Andrew Senna, team up to explore the spectral transfiguration of minute sounds & vocalizations. In concept, The Precambrian is a sequence of interactive synthesis environments, engineered by Robertson using the graphical programming language; Max/MSP. Often drawing from his background in sound design for film & theatre, Senna utilizes a handful of homemade piezoelectric transducers, microphones, & field recordings to interact within each of these unique synthetic environments. The result of this interaction is a performance which resembles a series of absurd, one-act narratives.

www.aphoniarecordings.com

Jun 05 – 9:00P Desolation Wilderness @ Le Voyeur (Seattle, WA)

Jun 06 – 8:00P Aphonia Rec. Series 6 @ Gallery 1412 (Seattle, WA)

Jun 08 – 8:00P The Precambrian @ The Blue Moon (Seattle, WA)

Jun 14 – 8:00P Agnes Szelag @ 21 grand (Oakland, CA)

Jun 18 – 8:00P Old Number Sevens (Phonon) @ the Tractor (Seattle, WA)

Jun 20 – 8:00P Benefit Show for the Oly Exp Music Fest @ Gallery 1412 (Seattle, WA)

Jun 24 – 6:00P Paintings for Animals @ Henry Art Gallery (Seattle, WA)

Jun 27 – 7:00P Ben Robertson + Gabe Will @ Olympia Experimental Music Festival

Jun 28 – 2:00P Paintings for Animals @ Artopia film show (Seattle, WA)

Jun 28 – 6:00P Darwinsbitch @ Olympia Experimental Music Fest (Olympia, wa)

Jun 29 – 7:00P Paintings for Animals @ Olympia Experimental Music Fest (olympia, wa)

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Podcast Special: Darwinsbitch

While the Spring weather is definitely a welcome feature of the recent days, we would like to go back in time for a tiny bit and revisit some past shows on the podcast. Aphonia Recordings has reached its first full year of continuous operation with the year anniversary of the launch show, way back on May 17th of 2007 at the Midnight Sun in Olympia. While we will be revisiting that particular show, to kick of this extravaganza, we bring you a show performed by Darwinsbitch on November 11th, 2007.

A.K.A. Marielle Jakobsons, Darwinsbitch hails from Oakland, California and back in November joined several of our other artists – those sets will be podcast here soon.

Podcast Special: Darwinsbitch

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Podcast for the Seattle Occultural Music Festival

Listen in as we cover several artists about to perform for the 2008 Seattle Occultural Music Festival. Included in this podcast are Problems (not performing at SOMF but members of Problems are), Agnes Szelag, Paintings for Animals, KRGA and Ben L. Robertson. Listen in to tracks never heard before or previously unreleased and newly released!
Podcast for the Seattle Occultural Music Festival

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Series 5 Podcast Part 2: Gabe Will + Ben L. Robertson

Gabe Will, viola and Ben L. Robertson, Max/MSP, join together to form this new up an coming project. Here is their first live show at the Gallery 1412.

*Due to the extensive dynamic range of this recording some portions may sound rather quiet. Be prepared for fluctuations in volume.

Series 5 Podcast Part 2: Gabe Will + Ben L. Robertson

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Series 5 Podcast Part 1: KRGA

Kristian Garrard performs as KRGA on May 2nd at the Gallery 1412 on the occasion of the 2008 Aphonia Recordings Concert Series.

Series 5 Podcast Part 1: KRGA

You can also subscribe to the Official Aphonia Recordings podcast on the iTunes Music Store in iTunes. Just type “aphonia” into the search field and you can subscribe there.

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Seattle Occultural Music Festival (May 16, 17, 23, 24)

2008 SEATTLE OCCULTURAL MUSIC FESTIVAL [May 16, 17, 23 & 24]

Friday, May 16th @ 8pm, All ages
Gallery 1412
1412 18th Ave

Robin Holcomb
Phillip Arnautoff
Michal Szostalo

Saturday, May 17th @ 8pm, All ages
Dearborn on Woodland [Film night]
4131 Woodland Park Ave N

Voodoo Israel[Portland]
Eric Ostrowski
Tyler Potts
Paintings for Animals
+others

Friday, May 23rd @ 8pm, All ages
Underground Event Center
2407 1st Ave
Agnes Szelag [Oakland]
Cult of Zir [Portland]
Matt Shoemaker
Ben L. Robertson
KRGA
Tempered Steel
Forrest Friends
Thunder Grey Pilgrim
Arsenlives

Saturday, May 24 @ 10:30pm, 21+ w/ID
Rendezvous Jewelbox Theatre
2232 2nd Ave
A Minority of One[Portland]
Red Squirrels
Mood Organ

A two-weekend, community-based festival of esoteric, mystical & psychoacoustic musics, spanning the region’s breadth of generations & genres. Established to integrate Seattle’s diverse experimental arts scene, introduce new local artists & import important outside influence. Generous promotion provided by Aphonia Recordings & Hollow Earth Radio. All shows are all ages & start at 8pm, except the 24th which is 21+ w/ID & starts at 10:30pm. There is a suggested price of $5-15, all donations at the door. The vast majority of proceeds go toward curbing travel costs for performers not from the immediate Seattle area.

The SOMF is featuring JAMES NEILSEN’s multilayered, transcendental paint, pen & collage creations. Dense, salon-style conglomerations of his work, as well as display books, will be assembled & featured for the month of May at Dearborn on Woodland. We hope to introduce his work to a wide & appropriate audience by displaying it in this frequented stronghold of DIY art. Additionally, 100′s of scanned works informed by extreme paranoia, isolation, drugs, violence, exertion, sleeping, wandering, alchemaic & qabbalistic diagrams can be view at myspace.com/jamesneilsen.

SOMF will present musical performances of/by Robin Holcomb, Phillip Arnautoff, Michal Szostalo, Eric Ostrowski, Derek M. Johnson, Tyler Potts, Paintings for Animals, Agnes Szelag, Matt Shoemaker, Ben L. Robertson, Thunder Grey Pilgrim, KRGA, A Minority of One, Red Squirrels, Mood Organ & many others.

Friday, May 16th @ 8pm, All ages
Gallery 1412
1412 18th Ave

ROBIN HOLCOMB

Pianist, composer, singer and songwriter Robin Holcomb has performed extensively in North America, Europe, Australia and Asia as a solo artist and the leader of various ensembles. Recent performances include appearances at Queen Elizabeth Hall (London), Carnegie Hall, The Verona Jazz Festival, The San Francisco Jazz Festival, Hong Kong Arts Festival, Festival of Perth, DuMaurier Jazz Festivals and Arts at St. Ann’s.

Her work has been called ‘remarkable’ (CMJ), ‘stunning’ (Option), ‘entrancing’ (Billboard) and ‘sensitive, descriptive, adventuresome and full of soul’ (Washington Post.) The New York Times had this to say about her difficult-to-define musical style: ‘Robin Holcomb…has created a new American regionalism, spun from many threads – country, rock, minimalism, Civil War songs, Baptist hymns, Appalachian folk tunes, even the polytonal music of Charles Ives. The music that results is as elegantly simple as a Shaker Quilt, and no less beautiful.’
robinholcomb.com

PHILLIP ARNAUTOFF

In the 1970s Mr. Arnautoff began work on an expansion of the harmonic resources of the Partch tuning system and built his Harmonic Canon, a large zither-like instrument of 66 strings , played with plectra and requiring a standing player. Years of on-again, off-again research and a number of abandoned projects in composition finally culminated in the composition of SOLILOQUY, begun in the winter of 1998-99 and completed in 2000, when it was recorded and released by Periplum recordings. The work has since undergone numerous revisions.

The tuning of the Canon for SOLILOQUY is based on the expansion of a purported scale from ancient Greece to an array of 21 tones. The work itself is continuous, though divided into two large sections, the first a single unit comprising five contrasting episodes, the second an essay in perpetual motion. The subtitle
“A Ritual of Communion with Vibrating Strings” refers to the characteristic resonance of the Harmonic Canon, a resonance that is unceasing to the very end and set into motion by the work’s harmonic and melodic configurations.

MICHAL SZOSTALO

MICHAL SZOSTALO has been steadily working on new music: Chamber music, music for film & TV, multimedia events, 3D installations, songwriting, electonis sounds, jazz and improvisation. His compositional works have received a slew of comissions from both Europe & the United State, including the ‘Hermes, Dog & Star’ at the Polish Royal Palace, ‘Train’ for Barefoot Studios in Tacoma & scoring for the film ‘Burning Man’. Szostalo plays piano, accordion, guitar, bass and a variety of exotic instruments and is aslo a member of Croatian/Bosnian folks ensemble Ruze Dalmatinke.

‘Reruns of the Final Battle’ is Szostalo’s String Quartet no. 1 and was originally commissioned in 2003, performed and recorded at an opening of sculpture work by Viktor Szostalo. The piece’s structure references Biblical prehistory, initiation of cilization & apocalyptic trajectory. The electronic tracks range from shifting guitar pulses to walls of layer trumpets to dark clouds of white noise. This largely aleatoric work’s creation was informed by study of mictronalities ranging from Partch to gamelan to the experimental academic synthesis. This rendition will be performed by regional ensemble of players know for their innovation & energy, Eric Ostrowski, Derek M. Johnson, Gabe Will & Ian Ackerman.

Saturday, May 17th @ 8pm, All ages
Dearborn on Woodland [Film night]
4131 Woodland Park Ave N

VOODOO ISRAEL [San Fransisco]

VOODOO ISRAEL’s spiritual drone noise is hot and heavy with the humidity of the crossed wires of internal feedback & the christening winds of pumps organs & overtone singing. His work calls us to listen as Mother Earth is speaking in tounges through the ageless, ratling, and exagerated bone structure of every obsorbed entity.

myspace.com/voodooisrael

ERIC OSTROWSKI

Eric Ostrowski is a freely-improvising musician and experimental filmmaker based in Seattle, WA. He played guitar and violin as one half of the legendary improv-noise duo of Noggin from 1993-2006. He has been concurrently developing his hand-made film style.

TYLER POTTS

TYLER POTTS believes in spontaneity and in our capacity to learn from things we can’t yet explain. His latest musical endeavors include: improvising with a dancer, playing the auto harp differently, exploring what happens in the length of a minute, singing things that come to mind without thinking too much about it, and trusting first impulses.

PAINTINGS FOR ANIMALS

Heavy drones, overtone melodies and the sound of the land – Paintings for Animals performs with field recordings, bowed metals, mixer feedback, throat singing, vocal blips, clicks and the buzz of electronics. Started 2001, in Seattle by Pearson Wallace-Hoyt, the project is maintained to provide a platform for the proliferation of spiritually charged noise and a revival of ritualized sound. With members dispersing to Bali, Kolozberg, New York and San Francisco, Paintings continues to craft a truly Cascadian music of chants, esoterica and the sounds of urban & natural environments.

paintingsforanimals.com

+works from Patrick McMurchie, Jake Sweeney-Samuelson & others

Friday, May 23rd @ 8pm, All ages
Underground Event Center
2407 1st Ave

AGNES SZELAG [Oakland]

Agnes Szelag is a composer, performer, and video/audio installation artist. Her work explores the cognitive and aesthetic relationship of sound and visual media in chosen environments. In performance and composition she creates interactive schemes that ride the line between composition and improvisation.

Her work has been featured in the Electronic Music Midwest Festival, the Illuminated Corridor Festival, 60 x 60, Voices on the Edge, at the Stone in NY, and has been broadcast nationally on KQED for the show Spark. She has also executive produced numerous video pods that have aired nationally on Current TV. This fall she will be playing in the San Francisco Electronic Music Festival as myrmyr.

www.aggiflex.com

CULT OF ZIR [Portland]

‘Done with layered vocals, the voice warped, resonated, gorged upon itself, mated with itself and destroyed itself. There are other artists that work with this type of manipulation and it is easy to overindulge into what this type of performance offers. I think he managed to keep it stark enough to allow the idea to shine through instead of being buried under the layers of gimmicky goop.’ -morimur

MATT SHOEMAKER

MATT SHOEMAKER focuses upon the treatment of sonic phenomena. Sourced from both natural and electronic means, Shoemaker manipulates sound in an affected and often grotesque manner, so as to convey compositions that uniquely imagine a space encrypted to the point of vanishing definition. The narrative tradition haunts Shoemaker’s work, but only the sort found in patterns and systems free from willful intention… much like an apple compelled by necessity to rot to its core.

His essential technique is one of obsessive artifice. It is the clarity of nuance and attention to detail that contrasts and balances any intended obscurities. It is from humility, a strategy for authenticity, and a personal view of an ideal aesthetics that Shoemaker proclaims: ‘Obviousness is my art’s antithesis.’

Shoemaker is a self-taught artist, employing microphones, digital and analog recorders, computers, acoustic instruments, and assorted signal processors. His work has been published in countries as diverse as Portugal, Germany, England, USA and Malaysia. He has also received commissions for radio works across the globe and presented his work at universities, dance halls, rock clubs, and art galleries.

THUNDER GREY PILGRIM

THUNDER GREY PILGRIM is a landscape…a landscape and a person walking in that landscape. There are daunting cliffs there, and plains glad in their way of brown monotony. But especially there are sinkholes, places of sudden terror, of small circumference and malevolent depths.

KRGA

KRGA aims to combine the sounds of any and all instruments around into thick, swarming clouds of tones using self-built sampling software. He
uses emphasis on drones and moving textures to create warm and dense atmospheres. Most of these pieces are created using only one or two
instruments as sound sources, which are processed and resampled real-time in a computer environment. KRGA live performances surround the audience with live generated synthesis and sampling. Deconstructed sounds swirl around the room, as patiently created beds of tones build into a complex organic storm.

myspace.com/krga

BEN L. ROBERTSON

BEN L. ROBERTSON uses a battery of algorithms & processes developed in Max/MSP to extract dense textures from a variety of found & performed sources.

His compositional process demonstrates an almost pathological obsession with the acoustic relationships between timbre & extended forms of tonality. Consequently, it comes as no surprise that he regularly utilizes a historical cannon of microtonal scales, including Harry Partch’s 43 tone scale, various other forms of just intonation, and the stretched octaves of the Balinese gamelan, as well as his own timbre-specific tuning systems.
aphoniarecordings.com

TEMPERED STEEL

TEMPERED STEEL features Ffej, Frank Junk, and Dennis Rea playing a variety of amplified, electronically processed thumb pianos. The trio sounds like no other thumb piano ensemble you’ve ever heard, conjuring phantom harpsichords, as-yet-uninvented stringed instruments, musique concrete…
myspace.com/tempsteel

+FORREST FRIENDS & ARSENLIVES

Saturday, May 24 @ 10:30pm, 21+ w/ID
Rendezvous Jewelbox Theatre
2232 2nd Ave
A MINORITY OF ONE [Portland]

Feed by water and an unseen warming sun
arisen from the ancient seed
the rain is warm and soaks the crowd
roots buckle then pulverize
a new life awakens as the old grey body returns to dust.

laughingcrowe.com

RED SQUIRRELS

Few squirrels have earned such a reputation for playfulness and roguery as the Red squirrel. This squirrel is a well-known backyard inhabitant that often has a saucy regard for its human neighbors. A Red squirrel will firmly scold all intruders with shrill chatters, clucks and sputters, falsettos, tail flicking and feet stamping. Even when it is undisturbed, this chatterbox often chirps as it goes about its daily rountine.

myspace.com/redsquirrelz

MOOD ORGAN

MOOD ORGAN’s breathing cycles are informed by vibration, interference patterns, recording & playback devices, altered states, violence, electricity, sex, mirrors & feedback. Timm Mason also plays bass & electronics with the death improv ensemble Kuru Cult, and will be performing at the Sculpture Park staging of work by Glenn Branca.

myspace.com/moodorgan

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Shows: May 2008

May 02 – 8:00P – Aphonia Rec. Monthly Series @ Gallery 1412 (Seattle, WA)

May 09 – 8:00P – Desolation Wilderness @ Artisan Cafe (Olympia, WA)

May 16 – 7:00P – Seattle Occultural Musick Festival (SOMF) @ Gallery 1412 (Seattle, WA)

May 17 – 8:00P – SOMF @ Dearborn on Woodland (Seattle, Wa)

May 17 – 8:00P – Bloodclot (w/ Derek M. Johnson) @ Matrix Coffee House (Chehalis, WA)

May 22 – 9:00P – Unicorns in the Snow @ The Gaslight (Lawrence, KS)

May 23 – 8:00P – SOMF @ Underground Events Center (Seattle, WA)

May 24 – 8:00P – Derek M. Johnson @ Black Front Gallery (Olympia, WA)

May 24 – 9:00P – Desolation Wilderness @ Le Voyeur (Olympia, WA)

May 24 – 10:00P – SOMF @ The Jewelbox Theatre (Seattle, WA)

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Series 4 Podcast: The Precambrian

A little late this month, The Precambrian performs at the Gallery 1412 on April 4th 2008.

Series 4 Podcast: The Precambrian

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Aphonia Recordings Monthly Series Pt. 5

Aphonia Recordings Monthly Series #5:
Friday, May 2nd
Gallery 1412
1412 18th ave – Seattle

8:00pm

-KRGA
-Ben L. Robertson + Gabe Will

KRGA is the project of Seattle area musician Kristian Garrard. Drawing upon a background in software synthesis, jazz drumming, voice, and guitar, Kristian aims to combine the sounds of any and all instruments around into thick, swarming clouds of tones using home-made software. Despite KRGA’s capacity for aural density, the vast majority of his pieces are performed using only one or two instruments as source material. KRGA has recently released two recordings (“Magic Wand & “June”) on Aphonia Recordings.

Additionally, this series will debut a collaboration between Aphonia Recordings co-founder Ben L. Robertson (‘The Precambrian’) & violist Gabe Will of Olympia-based microtonal drone-band ‘Problems’. United by a mutual fascination with just intonation & chance operations, each collaborator finds his niche within a single, software-based performance environment. Through a battery of microtonal pitch recognition algorithms & probability-based functions developed in Max/MSP, discreet notes & found sounds alike are distilled into a single resonant mass.

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Shows: April 2008

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Apr 04 – 8:00P – Aphonia Rec. Monthly Series 4 @ Gallery 1412 (Seattle, WA)

Apr 09 – 8:00P – Country Western Ensemble Rocks @ Meridian Gallery (SF, CA)

Apr 12 – 9:00P – Desolation Wilderness @ Le Voyeur (Olympia, WA)

Apr 26 – 8:00P – Derek M. Johnson @ Plenty (Olympia, WA)

Apr 26 – 8:00P – KRGA w/ Hungry Pines @ Healthy Times Fun Club (Seattle, WA)