Aphonia Recordings showcase: 09-#2 @ Gallery 1412
Friday, February 6th
1412 18th ave – Seattle, WA
– Darwinsbitch (Oakland)
– LA Lungs (Tacoma)
– Derek M. Johnson (Olympia)
– The Precambrian
Fluid forms of drones, doomy laments, and folk melodies fleshed out from a backbone of sine oscillators and violin. Sound sources from the environment blend with instruments such as piano, ocean-harp, guitar, bass, and specially designed computer programs to create a unique sonic hybrid between the acoustic and the digital. Darwinsbitch is the solo project of Marielle Jakobsons, sound artist and violinist from Oakland, California. Her work stems from a fascination between human experiences which are at once “natural” and technologically-altered. Other projects include: myrmyr (electroacoustic duo with Agnes Szelag), triometrik (interactive multimedia ensemble), Date Palms, as well as many other violin/improv performances.
DEREK M. JOHNSON
Derek is an Olympia native and can’t seem to ever get away. He frequently performs solo acoustic/electric cello throughout the Northwest with an ever changing, direct animation slide show. He’s been a member of Bloodclot, Dead Air Fresheners, Le Ton Mite, Frequency dB, and the unfortunately named Superfly 2000. Collaborations include: Unwound, Thollem McDonnas, Jeremy Jay, Ben L Robertson, Arrington de Dionyso, Bob Marsh, among others.
L.A. Lungs was formed in the summer on 2005 in a Tacoma studio apartment by Afterthought Lung (nee Nathan Markiewicz) and Leeward Lungs (nee Lori Peterson). L.A. Lungs continue to perform around the Pacific Northwest and have been fortunate enough to share bills with artists such as Acre, Bird Costumes, Wesley Borden, Cabinet of Natural Curiosities, Crank Sturgeon, The Dead Air Fresheners, Steve Fisk, Forest Friends, Gowns, Bill Horist, Josh Hydeman, Derek Johnson, Mattress, Myr Myr, POWRFL POWER, Racooo-oo-oon, Scard, Shearing Pinx, Talbot Tagora, Your Drugs My Money, and many more. We can look forward to hearing work from LA Lungs recent Aphonia Rec. (“Most of the Time We Do Not Realize We are Shedding Our Skins”) & Debacle releases at this month’s showcase.
Aphonia Recordings founders, Ben L. Robertson & Andrew Senna team-up as The Precambrian. In concept, The Precambrian is a constantly evolving interactive synthesis environment/instrument, engineered by Robertson using the graphical programming language, Max/MSP.
In its current incarnation, The Precambrian utilizes a “slide zither”, voice, & various pitch recognition algorithms to coax out microtonal intervals derived from a graphical system of 11-limit, just intonation matrices. In performance, Senna (armed with a handful of homemade piezoelectric transducers, microphones, & field recordings) executes a series of absurd one-act narratives & vocal onomatopoeia, indicative of both his sound design work for film & theater.