Dokuro’s The Black Room Reviewed in The Wire Magazine

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In the November issue 297 of the UK’s The Wire magazine David Stubbs reviews Dokuro’s recent release, The Black Room. Look for the interview in print or read the full text below:

Based in Oakland, California, Dokuro are visual artist/composer Agnes Szelag and the magnificently nomenclatured The Norman Conquest. They include the word “pop” in their self-definition, which is a little like Sunn 0))) locating a Country & Western element somewhere in their music. This is extremist fare that blasts awat the earwax without leaving you feeling pointlessly bludgeoned. On “The Ghost Goes West”, clouds of generated electricity belch blackly, then are discreetly sculpted. “Shadow of the Cat” is sheer catastrophe, all earthquake and Grindcore, its rotorblade still whirring long after the helicopter has crashed and burned. Finally, with “October Moon” a calm descends and dawn breaks over a charred landscape quiet but for the sporadic noises of afterburn.

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