“My pieces do not have a concept. That is the concept. The concept develops in the head of the listener. I compose not only for instruments, but for things. Each piece is different. Every time. I want to show the listener nonsense. Interesting nonsense.”
So says evocative and perplexing Berlin-based composer and pianist Tetsuya Hori. By arranging a confounding series of musical events, the listener is left with the freedom to interpret. At times sedative, creepily silent or jarring and brutal, Hori paints landscapes and often allows enough breathing room in his pieces for processing.
Any discernible pattern on “Dried Fish Is Just Good As Bait” is confounded by its sheer scope. Developments in his compositions take time to foment. The three long tracks that “Bait” consist of take time to get through and often, if any logic is implied, it is over stretches of minutes rather than seconds. The pieces beg multiple listens, the beauty of which is that upon repeat listens, details recede and new ones form. “Intermezzo” recalls hints of Debussy, “Kappa” listens like a book of nonsense poems supported by the sleeping of a mythical mechanical beast, “Dried Fish Is Just Good As Bait” is at once meditative, frightening and sculpted. From guttural wails to introspective chordal interludes, this is a vast project of a record and we hope you like it. His debut release comes in a limited edition special 15 inch square poster which you can pre-order as of April 14th, 2011. We are very excited to release this record and hope you check it out!
Check out a more extensive interview with Tetsuya Hori by Tobias Fischer at Tokafi.com a unique German music website.